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MENDING NARRATIVES
Lisa McKinley
European settlers built America on a platform of cultural oppression, and that ideology has been detrimental to indigenous cultures generationally. Utilizing traditional Mexican craft techniques, passed down by my mother and recently learned new techniques, a large portion of the work created within this thesis encompasses processes of making. The work created is focused on slow design techniques, community engagement and practicing mindfulness within design processes. Materiality had a significant impact on this work and as it evolved, so did the use of materials into more sustainable practices. This thesis explores experimentation through those processes while encompassing mindfulness to create artifacts that stimulate reflection, a sense of well-being or both within the end user.
Stainless steel utensils 01.
Stainless steel utensils 02.

Natural dye extracts: indigo, weld, cochineal, and madder.

Cotton thread and organic cotton muslin.
Cotton thread dyed using madder, cochineal, and indigo extracts.
Organic and natural cellulose fiber materials dyed using madder, cochineal, indigo, weld, and logwood extracts.
Pincushion from Brooklyn Haberdashery and Little House pins.
Organic and natural cellulose fiber materials dyed using madder, cochineal, indigo, weld, and logwood extracts.

Project pouch supplied with sewing notions and natural dyed thread.

Stack of wooden clothespins holding naturally dyed threads.
Hand arranged flowers from a local farmers market and place card with name written on using calligraphy for workshop.
Organic and natural cellulose fiber materials dyed using madder, cochineal, indigo, weld, and logwood extracts.
Workshop held in the back yard of local yarn studio String Things. String Thing studio is a local yarn store that practices inclusivity, welcoming patrons from all walks of life.
Six participants in progress slow stitch work at the end of the workshop.