Liminal space always fascinates me, and its uncertain transition awakens my consciousness of the space I inhabit. The
transition from invisible to visible provides me with psychological buffering, enabling me to reexamine and reconstruct
what I know and evaluate. In between the strictly defined points, this uncertainty allows for reevaluation, while
certainty prepares me psychologically for the unknown. It alleviates the fear of facing the completely unknown. To me,
the in-between is a dynamic state, not just a simple position, but a complex state middle is a dynamic state, located
somewhere between two known points. It is not just a simple location, but a complex state composed of behaviors such as
crossing, balancing, harmonizing, buffering, bridging, and integrating. In my work, the in-between is considered a
primarily psychological public space, defined as midway rather than two specific points with distinct attributes. It
exists between two defined points, reconstructing the political and social structures of this public space, making
people’s perception of the space more open and fair while preserving a certain familiarity to protect the most
fundamental human perception. I believe creating the in-between and making people aware of its existence are important
means to address many existing problems. By creating the in-between, we create space for the possibility of many things
happening. We don’t have to go from one point to another; our stories and our communication can take place midway, in a
place that belongs not just to you or me but to us. Here, ideas can be materialized, power can be redistributed, and the
ability to write and define identities can be more autonomous. Personal stories are encouraged to be showcased and
shared. I consider the in-between as a methodology to design spaces and scenarios to solve problems.
Insatgram: @yingxinliu1112
Here and there
An inch of gutter wanders between different pages, and the speed of movement varies between pages and sheets, creating
different rhythms and cadences. Between the ups and downs, left and right, and one inch of blank space, these 10 stories
unfold at different points.
Here and there(between book and website)
Building upon the foundation of the traditional book format, this digital experiment aims to explore the influence of
various media on the reading experience. Its objective is to delve into how individuals interact with different mediums
while reading and to investigate the impact of this interaction on reading comprehension, attention, and emotional
engagement.
Thinking and making
The reading method and extent of opening of this book are closely related to its content. As the book is opened, the
entire book's focus, details, and annotations gradually unfold before the reader.
Thinking and making
Bridge Museum
Bridge museum(Lost Angles)
Bridge museum(Dancing Party)
Tutti
Sound is not just a simple vibration of sound waves; it also symbolizes our relationship with the surrounding
environment. Every sound is an expression within space, creating a scenario where background noise merges with human
dialogue as if forming a harmonious chorus.
When contexts blend into multi-person conversations, the faint murmurs of white noise blend with poetic dialogues,
creating a unique atmosphere. Through the language of sound, we establish subtle and complex connections with the
surrounding space and other individuals. Whether it's the volume and speed of speech, the amplitude of white noise, or
its fluctuations and pauses, as well as the interweaving between silence and fluctuation, they all mark the starting
point of our dialogue with space and the inception of relationship-building. The language itself and the content of the
dialogue are integrated into the spatial language, shaped by the rhythmic composition of sound.