This research explores the evolution of geometric abstraction beyond its traditional
static forms, drawing from Kazimir Malevich’s Suprematism. By introducing relational
dynamics, variability, and contextual adaptability, it redefines abstraction as an
interactive and evolving framework. Through theoretical analysis and a multi-layered
visual project, the study demonstrates how abstract forms can function as a language
of engagement, reflecting contemporary cultural and spatial interactions.
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